Writing and Collaborations.
Creative Writing
Rosalie’s most current writing is available on On A Wednesday, a Creative Art Collective she founded with Hannah Chaligne (NY)
Contribution - Voice
Backing vocal contributions to vocalist, performer & composer Vivienne Aerts’ new album Typuhthâng. Vivienne created this beautiful piece of art together with 100 next-generation female musicians, and in collaboration with Original Beans Chocolate, Typuhthâng aims to empower the female cacao farmers of Virunga State Park in Congo and replant the rainforest.
Contribution - Book
Personal Experience contribution to the book Get Your Mojo Back, which breaks the silence around the feminist topic no-one is talking about: how to have enjoyable sex after birth. This book is a rallying call to women to reclaim their sexuality and find sexual fulfilment. By Clio Wood; a women’s health and sex positivity advocate, journalist and Founder of &Breathe
Article - Magazine
Published by Oh Magazine Issue 61
A Quiet Song
It’s a quiet song really, almost gentle in sound. It is not a call to arms, not a rousing battle cry, the anger and despair did not travel well in the lyrics that came to mind when I sat
down armed with a pencil, a bottle of wine in an empty flat that night.
Slowly it fades, disappears in the dark
ache and emptiness fight
to fill the space in my heart
I did not know I was going to write that song, I did not set out to recollect and describe the events that took place when I was fifteen and left an imprint in my life during all the years
that followed; sometimes staying inaudibly in the background, almost forgotten, then creeping up on me, unexpectedly rearing it’s ugly head, punching me in the gut, leaving
me quietly suffering or raging angrily, howling at it’s continuing influence on my existence...
In the morning light
the house no wiser to the secrets of the night
Sometimes writing is cathartic, yet, sometimes it opens wounds that create a bigger and bigger mess, like a cesspit of thoughts all muddled together making it difficult to see
through the fog. Frozen. The guilt. The questions. The hushing. The quiet. The nothingness. The desperation to somehow fill the hole that was created not just by an
unwanted physical act but possibly more so by the silence that followed.
So I lie back and close my eyes
and I hold my breath and wish to die
How the endless tug of war between being frozen and needing to escape became a silver thread throughout my life. Trying desperately to stay in control, to perform my part, always
ready to flee, though steadily becoming more stuck before breaking point would strike again. Always looking for something elusive to fill the emptiness.
How ironic too that after giving birth, incidentally not even through the originally designed exit passage of my body, my muscle memory reverted straight back to twenty years
before, that particular event that unwittingly had shaped so much of my life already, and tried to shut the pathway down. Something I had not even considered to be a possibility,
naively perhaps, though I am pretty sure the subject was not covered in any of innumerable books on birth I devoured prenatally.
As it burns right through my body yet I’m cold
Like a winter frost comes around in spring and kills everything
The place so sacred, full of light, heat, power, the place where love should reside, instead trampled by intruders with bad intentions. How many of us have been in that situation,
abused, defiled, uneasy, silent, or not silent but made to keep quiet.
It’s only it’s my body it’s only my body it’s only my body he got
It’s a quiet song really, gentle almost in sound, ‘only my body’, like a mantra, repeating and repeating,
until the lie becomes the truth to carry us through the rest of our lives with less of the burden,
reclaiming that body with love and love alone,
from ourselves firstly,
then eventually from others,
on request and by exclusive invitation only .
Cursive text taken from the song Only My Body from the album In Between The Silence by Francesco Lo Castro and Rosalie Genay.
Review Babelfish Album
London Jazz News
Babelfish Album Launch Pizza Express Jazz Club Sunday 15th July
Last Sunday was the long awaited album launch of Babelfish, a collaboration between Brigitte Beraha and Barry Green, recorded at Abbey Road with Paul Clarvis on percussion and Chris Laurence on Bass.
They performed tracks from their album as well as a moving tribute to Pete Saberton (to whom the album is dedicated) 'Heart, We Will Forget' by Copland segue-ing into 'Chasing Rainbows' in front of a welcoming audience at Pizza Express.
These gracious and wonderfully talented musicians delivered an exciting and unusual combination of music. Featured were new compositions, with highlights for me being the remarkable eccentric 'Popular Mechanics' by Green with text from Raymond Carver, the melancholy 'The Apple Tree' by Beraha, and cherished tunes such as the beautifully executed 'Falando de Amor' by Jobim. And we can of course rely on Green and Beraha to dive into lesser explored territory with art songs from Britten, the haunting 'Poem for F' by Ned Rorem and a touching arrangement by Pete Bernstein of Alec Wilde's 'While We're Young'.
This partnership is the sum of very special parts indeed. Brigitte Beraha's warm and interpretative vocals are deployed with sincerity and musicality. She had a wondrous and fearless ability to push the limits of vocal agility. Barry Green's inventive and sensitive style of playing for which he is well recognised, create patterns of rich harmonies and locked-in pulses from which he launches all kinds of unanticipated narratives.
The nothing but brilliant percussion by Paul Clavis, the equally astounding Chris Lawrence and the visible joy of this band working together on stage were transferred to the audience. The sensitivity toward the music and each other and the creation of space within the form made it into a unique evening when magical soundscapes would transport you out of our dreary London.
Tribute
Rita Reys tribute for London Jazz News
Interview/Preview
Interview with Rebecca Parris for Georgia Mancio’s Revoice Festival
Report
Report of Noise From The Netherlands - EFG London Jazz festival for London Jazz News